Gung Hay Fat Choy! Welcome to 2017, the Year of the Rooster.
If it is not already obvious, the rooster always wants to be in charge; he acts aggressively with everyone else in the barnyard; he sets his own schedule and expects everyone else to follow him; and, he is very proud of himself when he feels he has accomplished something, so he crows about it. With each passing year I come to appreciate the perceptive insights of the Chinese birth animals and the metaphors they serve for us in real life. 2017 is no exception.
During 2016, I continued to work on my new digital images, including both MANDALAC GARDENS and the long series of changing panels, EVOLUTION. At the magazine and museum level, however, it was older work that was being recognized. I would like to especially thank the Amon Carter Museum in Fort Worth, TX for including this multi-print image from my 1984/85 Hudson River Valley commission in their exhibition, " American Photographs, 1845 to Now."
"Two Possible Choices for the Future" 1984
This visual message seems so apropos given our current political state, and yet this image is 37yrs. old. We have come SO far, and yet...
I would also like to thank the National Wildlife Federation for their feature in National Wildlife magazine, " Can Pictures Save Nature"
That is my image of tundra and streams on the index page, and the same image was run as a 1-1/2 page spread with a text column overlay about the collective efforts to prevent development of the Pebble Mine. Not only was my work well noted and displayed, but there were many other International League of Conservation Photographers (iLCP): and their projects included in this article as well. Being recognized along with these colleagues makes me very proud to be a Founding Fellow of iLCP.
It has also just been announced that the North American Nature Photographers Association (NANPA) has given me the 2017 NANPA "FELLOW" Award. The Fellow Award is presented to members who have made significant contributions to the professional nature photography industry over a period of at least 20 years. This would encompass photographers, editors, agents, educators and other professions related to the industry. This is especially meaningful to me as I was an early member of NANPA, and iLCP was born from those of us who met through NANPA and wished to become more politically active with our work. Thank you, as well, to my colleague, friend, and fellow photographer Lyle Allan who saw the award announcement and posted: "Congrats on the NANPA award.....you are one of the few people I know that actually 'talks the talk and walks the walk'.....well done!!!!!"
Although I cannot provide a link prior to actual publishing, in March, OUTDOOR PHOTOGRAPHER magazine will feature an in-depth interview with me about the many years of my involvement in the No Pebble Mine campaign, and this image will be the magazine cover. If you see a copy on the newsstand, be sure to pick one up:
I am also VERY grateful to Dan and Susan Gottlieb, owners of The G2 Gallery in Venice (CA) for continuing to show my work, including it in two shows this year that honored the 100th Anniversary of the National Parks:
The first of these two exhibits also allowed me to print an image from my past work in The Presidio of San Francisco that never made it into publication. This is a spectacular print I hope you will see in person at some point (without the type).
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